Media & Entertainment
In today’s connected, content-driven world, media & entertainment businesses face a continuous challenge to push the boundaries, create new opportunities, adapt swiftly to disruption and defend their rights.
Among the forces at play are the proliferation of distribution channels, the pervasiveness of social media, the demand for authenticity, the rise of streaming, and the fast pace of market change. In order to maximise value, protect brand and talent, and minimise risk, carefully planned commercial strategies, well-protected and fully exploited intellectual property rights, and water-tight contractual agreements are a necessity.
For us, the creative business is our business, and our team is top-ranked for its expertise in the media & entertainment space. We work with the biggest names in the business and innovative new entrants to the market, as well as the major brands who are looking to capitalise on emerging opportunities in this sphere. Our large, dedicated team – many of whom have worked within the industry– means we have a unique perspective, enabling us to deliver sound advice and develop practical solutions for our clients.
You can view our latest 2 blog posts below and our full blog here.
Music, Media & Entertainment 4.5: New content10 July 2019
Lewis Silkin are delighted to invite you to the next event we are holding with Music, Media & Entertainment 4.5
Jo Farmer comments for Digiday UK: ‘A lot of the time its intuition’: Marketers continue to struggle with attribution in influencer campaigns10 July 2019
In an article for Digiday UK, Jo Farmer comments on the challenge that marketers face when tracking influencers business value.
Media & Entertainment Legal Digest: May - June 201901 July 2019
Welcome to the latest issue of our ‘Media & Entertainment Legal Digest’. We have selected the legal and regulatory developments from the past two months or so that we think are most likely to be of interest, with a very brief summary and then a link to the official source or full text of the item.
Cliff Fluet comments for Managing IP: UKIPO looks to AI to fight “disastrous and archaic” rights26 June 2019
Cliff Fluet has commented in an article for Managing IP which discusses UKIPO's statement that 'Improved awareness of high quality data, together with greater use of AI and emerging tech, is likely to increase value for IP owners'.
Lachaux: defamation clients must prove “serious harm”17 June 2019
Has a statement about you caused you serious harm? That is the question posed by section 1 of the Defamation Act 2013, which has been the subject of a long running defamation claim brought against the publishers of the Evening Standard, the Independent and the Huffington Post. The Supreme Court has now delivered its judgment on the interpretation of section 1, which has significant implications for the media industry.
Pensioner sues Wolverhampton Wanderers over design of logo13 June 2019
Wolverhampton Wanderers Football Club have succeeded in defending a copyright claim in which the claimant contended that he designed their distinctive wolf head logo over 40 years ago.
Adam Glass comments for The Guardian: Landmarks in law: Sally Bercow and the first major 'Twibel' case29 May 2019
Adam Glass has commented in an article for The Guardian which discusses how defamation cases used to focus primarily on broadcasters and newspapers – until social media changed everything.
Nigel Dewar Gibb comments for Music Week, MusicBusiness Worldwide and Record of the Day: 'Digital licensing needs to be fit for purpose': MMF calls for reform to DSP royalty payments09 May 2019
Nigel Dewar Gibb has commented in articles for Music Week, MusicBusiness Worldwide and Record of the Day that discuss a new report published by the Music Managers Forum (MMF). It claims that inefficient payment systems are reducing the digital royalties that creators receive.